On her deathbed, my grandmother says the streets of Guangzhou have never melted snow. Wait. Don’t tell me that these small miracles are rare. I don’t want to be the end of a gun, a punchline, for the sky to speak for us in its love language. So instead, I search for snow in all of the past versions of myself: a lover, a bartender, a dreamer on a balcony. So many synonyms for death. Rewind, and my grandmother braids my hair like snow: a slow, silvery thread against my spine. I’m ready to become every angel. Outside my apartment window, the neighborhood boys chase girls who look like snow: all wispy and translucent and falling. Here is how to die slowly: I move out of the apartment, the city. My grandmother stays. I catch real snow in my mouth for the first time, against a Manhattan skyline. I don’t know how to braid my hair: I guess I never learned how. I grow tired of snow, yearn for heat staggering out of pavement back in Guangzhou. Yearn for the boys who catch drifting girls in the backs of alleys. My grandmother agrees, or at least I imagine. Over oceans, she closes her mouth for good, closes it to the exit-wound sky. When she dies, I ship snow over oceans and imagine it seeping from the FedEx package and into the Guangzhou streets. I imagine it claiming her body for its own: a small, uninhabited angel.
Naomi Ling is a Sino-American student on the East Coast, USA. The founding EIC of gossamer lit, she edits for Aurora Review and reads for Pollux Journal, among others. Her works have been recognized nationally by the Alliance for Young Artists & Writers and Top Ten Poetry and appear in Eunoia Review, perhappened, Kissing Dynamite, and elsewhere. She tweets unprofessionally @naomilingwrites.